Taking Your Novel Slowly

SPRINGTIME (1)

Being already over a week into Camp NaNo, this seems like a rather silly subject to talk about. But I’ve been thinking about it a whole lot more, lately. As always, when any sort of NaNo rolls around, thousands of authors around the world set a goal and then furiously scribble (or type, most probably type) away at their beautiful, messy baby. Going slowly isn’t even a thought. 30 days, 50k words… even with more caffeine than can possibly be healthy there is no way that going slowly is going to make that work.

But then… what are you left with? This past NaNo, I made my goal. I started with a blank sheet of paper and wrote over 50k that month. But then I stopped. I’ve written maybe 5,000 words since last November. And not a single one of those 60,000-something words are going to make it into the finished draft, or even the second. This isn’t just my author insecurity talking –  “oh, my book’s so awful, I hate every word of it…” It’s not that. Because I was careening through my first draft I completely lost my sense of direction, even with an outline. I didn’t take the time to work on my characters – I still don’t know who Clara is, just that she exists (this being a problem because she’s the main, point of view character…), my story world’s all flat and illogical, none of it makes sense. The plot’s garbled. This is all stuff that you could take care of on the first edit, of course, but it’s so totally beyond salvaging that I need to re-write the whole book.

Now compare this to my first novel. My first original novel I was on a horrible, horrible time crunch.  I had to get at least four different, specific scenes to be at least presentable enough to show to others – in under a week. Yeah. I wrote a lot that week, and I actually finished the last excerpt literally two hours before we drove out to the place they were due. But even with that I wrote much, much more slowly. I sat down, visualized the scene in my mind, and typed out what I saw and heard and that first draft – while it’s by far not my best work, is presentable. I’m not embarrassed to show it to any one, where as the first draft of Forgot will never see the light of day.  For For Hailey, that first novel, it’s clean (in the opposite of messy way), it’s clear, and I don’t get a sinking feeling in the pit of my stomach when I look at it, despite it’s many plot holes. With I Forgot I feel dread whenever I even contemplate it.

When you take the time to write slowly, or slower than you normally do, your characters sound more like people, more like the people you want them to be. Your themes are developed – it’s super hard to work a theme in if you’re tearing through the draft. You plots tend to have less wholes and are more coherent – especially if you’re pantsing.

 

Now, while I’m saying all this, I’m not arguing for being a perfectionist. Please don’t! You’ll only hurt yourself, and if you refuse to put down anything on paper that’s less than perfect, you will never write a novel. Sometimes words just aren’t coming. Your words will not be perfect when you first set them down. That’s what editing and rewriting is for. But surely there’s a happy medium between obsessive perfectionist and almost nonsense speed writing. Maybe it’s time to slow down, to think a little more when we write.

I want to clarify a bit – all this is from my own experiences. I honestly have no idea how anybody else writes their drafts. I tend to word vomit, but for all I know I’m just saying stuff that’s all common knowledge. But if this helped you in the slightest, or made you think, I’m very glad.

Do you write slowly? Quickly? In between?

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Beautiful Books // Camp NaNo

It is upon us! NaNoWriMo season again. If you’re not aware, NaNoWriMo is an event that takes place in November. NaNoWriMo stands for National Novel Writer’s Month, and during it thousands of writers around the world set out to write a 50K (or more!) novel in a month. There are also two summer programs called Camp NaNoWriMo that take place in April and July.  They’re a little more relaxed, in that you can set your own word count (or editing) goal, and you’re not limited to just working on a novel. There’s screenplays, epic poems, memoirs… everything. You’re also sorted into virtual cabins of up to twenty members, where it’s basically a chat box, and  you can word war, brainstorm, and commiserate with your cabin mates. There’s also the option of private cabins, where you can be with your friends. I’m in one run by Savannah with some absolutely lovely blogging ladies. And that’s Camp NaNo.

I’ll be working on the “Smoothie story” that I’ve talked about a bit before, but I’m using it as an incentive to slog away at it. I’ve come to the realization that I will not be done plotting in time, and that if I rush the process I’ll achieve burn out. I’d rather write a better book slowly than rush and have something that I’ll have to re-write from scratch.

Allie and Anika dug up an old Beautiful Books and it asks some good questions. I’ve talked about this book quite a bit recently, it feels like, but with the ever-changing and evolving plot I thought I’d talk about it again. I promise, this’ll be the last time until Aprils over.

How did you come up with the idea for your novel, and how long have you had the idea?

I came up with it about a year ago, when it was just a spark of a sentence in my head. The sentence sat there for another few months before I started building the story around it. It is totally different now, and the sentence will no longer fit in the slightest. So the sentence has been around about a year, and I started getting the story in a fuller form around September. It’s come pretty close the the end vision for the first draft this week.

Why are you excited to write this novel?

The plot and the themes. I’ve been telling myself for quite a while that I can’t write a deep book, not the way that Lewis or Tolkien or Potok did, so why even bother, why even try. But… there is nothing keeping me from writing a deep book. There’s absolutely nothing saying that I can’t go slower, take my time. This is my book. And once I came to that realization, I also came to the realization that I have a story worth telling. I want to tell this story. Even if no one except my critique group (and my two best friends because they’d kill me if I didn’t give it to them) reads this story, I want to write it and I want to write it well. And now I’m so much more excited about it. I can do this. I can communicate these themes, this plot. And so can you. Well, not my plot, obviously, but yours. Even if you think you’re an awful writer, you can still try with all of your might. And you’re never going to do it if you just don’t try.

What is your novel about, and what is the title?

Nina Thompson is kidnapped and held for ransom by her estranged uncle. In order to to bring her home, her godbrother Christopher must conquer his own desire for revenge and team up with his worst enemy.

Title? What is this mysterious title you are referring to?

Sum up your characters in one paragraph each (feel free to add pictures!).

Christopher 1
Christopher {MC}
Fun. Scared. Laughter. Naive. Plans. Desire. Go with the flow. Playing guitar in the back of a pickup.
“Demons run when a good man goes to war.”

Nina
Nina {MC}
Determined. Strong. Serious. Justice. Music. Despair. Sadness. Practical. Uncertainty. Know it all. Will everything work out? Works too hard.
“Never give up on your dream just because of the time it will take to accomplish it”

Allie
Allie {mentor}
Smart.  Blunt. Independent. Testy. Safe. Thief. Running. Streams of talk. Bubbling brook. A puppy.
“When it rains, look for rainbows, when it’s dark, look for stars.”

 

Matt
Matt {villain}
Thunder. Skewed justice. Determined. Intelligent. Selfish. Dangerous. Smoke in a dark room. Playing cards. The distant rumble of a thunderstorm on a summer’s night.
“It wasn’t I who made me.”

 

Which character(s) do you think will be your favorite to write?

All of them? Probably Christopher the most, though. His personal journey has turned into a major component of the story and I’m looking forward to writing it.

What is your protagonist’s goal, and what stands in the way?

Getting home, preferably intact. Christopher wants to rescue Nina and get her home, and Nina wants to escape and get home. Matt is initially standing in their way, and then…

Image result for spoilers gif

Where is your novel set?

America, probably last year. I’m still deciding on a location, but it’s most likely in a city, or across several cities.

How do your protagonists change by the end of the novel?

Oh boy. I’m tempted to use the River gif again. Christopher moves from hate to forgiveness, which is probably the biggest thing after the main quest. Nina is shown what the world is like beyond the newspaper articles she reads. She is shown what she really wants to be fighting for and against and comes out more determined than ever, but also more cautious.

What themes are in your book? How do you want your readers to feel when the story is over?

Forgiveness and Hate. Generosity and Greed. Justice and Injustice. I want my readers to feel the depths to which hatred can plunge you and the unconditionalness of forgiveness. I want them to know that they are never alone, even in their darkest hour. I want them to be inspired, if that makes sense.

And there you have it.

Are you doing Camp NaNo? What’s your novel about? Have you ever had the plot that wouldn’t. stop. evolving?

Story Update // Character Profiles

Hello everyone! I just realized that I haven’t talked about my book in forever, and there’s been a ton of progress. Characters have been added and taken away, the plot’s undergone at least two major changes. (Credit to the amazing Savannah for brainstorming help) Most notably, there’s another main character! So here you go, the character profiles of the two MCs and the villain!

Character Profiles

Here’s a quick story refresher.

Nina’s world is turned upside down when her father is killed in a hit-and-run, but things only get worse when she is kidnapped by her father’s estranged brother Matt. 
Once Christopher learns that his little godsister is being held for ransom, he takes off after her – with her mother in the backseat. 
Can Nina escape, and can Christopher and her mother find her before it’s too late?

That’s a little out of date, but it’ll do for now.

It’s a road trip type contemporary adventure, originally meant as a light, fun story, but turning darker as I try and plot it.

Pinterest board: “Smoothie Story” (Warning: all my Pinterest story boards are about to undergo a complete re haul, so it’s going to be a bit of a construction site for a little bit)

Nina

Nina Thompson
Name: Nina Thompson
Age: 16
Personality type: ISTJ

Nina lives with her parents (until the events of the story kick off, that is). She dreams of being a lawyer, like her father. She tends to be a very practical, get the job done sort person, preferring to not beat around the bush. She’s very good at not procrastinating (I envy her). Her heart bleeds when she sees the suffering and injustice her – that’s one of her reasons for becoming a lawyer. She wants to fight for those who cannot fight for themselves. Ironically, she’s not so good at that when it comes to herself. She often caves to peer pressure when with people who pretend to be her friends, then beats herself up over it afterwards, beyond the point of what could be considered reasonable. She’s a perfectionist, wants everything to be just so and in order, and she takes failure very hard. She listens to music all the time, and even more when she wants to get away.

Pinterest board: Character – Nina

Christopher 1
He needs to be a bit older, but this is the closest photo I’ve found.

Christopher
Name: Christopher (I’m afraid a last name is still rather lacking)
Age: 19
Personality type: ENFP

Christopher’s very laid back and just an overall happy person. He plays the guitar, and it’s his dream to one day make a living as a musician. Before the story starts, he’s gearing up to go to college on a major scholarship. He’s very close with his godsister, Nina, and is one of the few people who can draw her out of her “I’m serious and going to get on to business and we don’t need to laugh” shell. He has a very optimistic look on life, but is absolutely terrifying when pushed too far. He feels horribly guilty if someone gets hurt through his actions or inaction, and will do almost anything to prevent that from happening.

Pinterest board: Character – Christopher

MattMatthew Thompson
Name: Matthew “Matt” Thompson
Age: he’s an adult? I never picked one.
Personality type: still figuring that one out.

Matt Thompson is the villain of the story. He’s also the one I currently have the most backstory on. He’s the younger brother, his older brother Jonathan being Nina’s father. There was some severe favoritism when he was a child, his brother getting all the attention and him just pushed to the back. When he went off to college, he quickly tried to differentiate between himself and his brother (who was getting very good grades and well on the track to becoming a lawyer), getting involved in the party scene and gambling away any money he had. His parents cut all ties from him and died shortly thereafter. He dropped out of college, but continued on in the same vein, gambling, drinking, and getting together a sophisticated ‘gang’ of sorts. Soon he got so far in debt that he went to his older, much more successful and recently married brother and asked him for money. Jonathan gave it to him, on the one one condition that he stay far away from his wife and newborn daughter. This continued on for many years before Jonathan finally said enough is enough. Matt arranged a car accident, and the rest is spoilers.

Pinterest board: Character – Matt

And there you have it. My three main players in the “smoothie story” as it currently stands.

What did you think? Do the characters seem realistic to you? (If they don’t, could you tell me what doesn’t?) Also, if you have the personality type of one of my characters, please come tell me random things about your type!!

 

Forgiveness Vespers // 2015

A little bit of context: Forgiveness Vespers is the first service of Lent in the Orthodox Church, where we ask forgiveness of everyone in the parish. It’s an absolutely beautiful service, and we actually sing the Pascha (Easter) hymns during it, which was a wonder surprise for me my second Forgiveness Vespers, when I could actually recognize them. 

When my family began the journey to the Orthodox Church, I began to journal it, writing up in detail each new service we attend. It’s my hope to someday publish this, as when I went looking I couldn’t find a single book for Protestant teens coming to the Church. The project’s taken a somewhat back-burner spot at the moment (and I have no idea how I’m going to re-capture my 14 year old voice, it’s a lot more mature now). But one of the services I managed to write up was Forgiveness Vespers. Here it is, mainly preserved as my 14 year old self wrote it:

Forgiveness vespers was, I think, when I first started accept Orthodoxy as being true. Until that point I had just been following along. Yeah, I believed (and still do) everything Dad tells me, and I had been learning quite a lot about the faith, but I never, I think, realized it in my heart. Indeed, when we first started going to Holy Trinity, I wasn’t even a Christian! I didn’t really believe in God at the time. But anyway, by the time Lent rolled around, I was becoming comfortable in an Orthodox church. I sorta-kinda-maybe understood the doctrine, and I could go through most of the motions. There were quite a few things, though, that I wasn’t comfortable with. For example, confession. (And the first, second, and third findings of the head of the John the Baptist. Seriously, how many time can you lose a head? But that’s beside the point…)

Anyway, during the day, around lunch time, Dad called us and told us that we would be going to the service that night, and that, while he would like us all to participate, we didn’t have to. Now, before this, I had begun to read ‘Facing East’, Fredricka Mathews-Greene’s book, which happened to include an account of Forgiveness Vespers at her parish.

I most emphatically did not want to participate in that. Not that I was against the idea, it was just the awkwardness factor. I didn’t know how to make a prostration (certainly knew by the end of Lent!), I didn’t know practically anybody in the parish, despite going there for half a year, and, just, I wasn’t comfortable. I actually almost had a break down because it seemed like at first that Mom and Dad were trying to pressure me and Ian into doing it. (Ian with the broken foot at the time) Another reason – from Mrs. Mathews-Greene’s account, this was something that was very private and moving, and as I knew practically no one there, and hadn’t really offended anyone, I didn’t see the point.

We ended up going, obviously. It was my first service with prostrations. I take that back, my first service with prostrations was the Feast of the Elevation of the Cross, or something like that. I really don’t count it, as I had no idea what was going one. We had arrived late, and found the entirety of those in the nave waving their bottoms in the air. (Can you tell I was new to Orthodoxy at that time?) Anyway.

It was also my first Vespers service. I honestly don’t remember that much of it. I’m assuming that it had most of the normal parts of a Vespers service, but I’ll have to wait until next year to be sure. It was towards the end, though, when the Lenten prayer of St. Ephraim was said. I’m pretty sure that at that time I had no idea what was being said, not really. It was late, I was confused, I was nervous about the ‘Forgiveness’ part of Forgiveness Vespers, and honestly was paying more attention to learning how to prostrate than learning the words to a prayer. I now know it, it comes from saying it every day during Lent:

“O Lord and Master of my life, take from me the spirit of sloth, despair, lust of power, and idle talk.

But give rather the spirit of chastity, humility, patience, and love to Thy servant.

Yea, O Lord and King, grant me to see my own transgressions, and not to judge my brother, for blessed art Thou, unto ages of ages. Amen.”

Honestly, I think this may be one of my favorite prayers.

Bye the time that everyone was praying this, Mom and Dad had had to leave the nave. We had brought the twins, and they were really starting to act up. So it was just me, Ian and Nathaniel sitting in our seats. Nate was playing with something from the diaper bag, like most children in the service, and Ian was sitting down looking mildly interested, but, knowing Ian, probably board.

I was mainly standing there awkwardly as everyone around me went to their knees. As I glanced back to the door to see if Mom and Dad were any closer to coming back in, I noticed Father Chris standing against the wall and beckoning to me. After checking to make sure Nate was occupied, and letting Ian know where I was going, I went back to him. As we stood next to each other, he started whispering to me, explaining the prayer, what it meant, and what a prostration was, as well as demonstrating for me.

When the prayer was done, Father Tim pronounced the dismissal, and then we all sat down again. He began to explain what Forgiveness Vespers was, for those who might be visiting and didn’t know, and how it worked. After that he encouraged everyone to participate, even if they didn’t know anybody. He mentioned one lady who was there, who her first night at Holy Trinity had been this Vespers. I really can’t imagine how awkward that must have been. For me, at least, I knew by site everyone there.

After all the talking was finished, Father Tim went up to the front, and both he and Father Chris made a prostration to each other, hugged, kissed (on the cheek), and then Father Chris came and stood next to Father Tim. Father Mike was next, and he did it was Father Tim, then Father Chris, and the stood next to Father Chris. It would keep going like this, with the line ending up wound around and around the church building. I still don’t know how they managed to fit everyone inside like that.

For some odd reason, I began to have this ‘apprehensive but looking forward’ feeling building up inside me as I watched. I don’t entirely know why, but as more and more people went down the line, I started tearing up.  It was weird, but they weren’t sad tears. They weren’t exactly happy either. I honestly don’t really get it.

Mom and Dad had come in by now, and they were standing in the back. That didn’t help matters much for me. It was one thing to cry, it was another entirely for my family to see me doing it.

I think what made me get up out of my chair and get in line was the fact that it didn’t seem awkward. Well, it did, but it didn’t. I’m not making much sense, am I? Anyway, I got in line, and right behind me were the Lockridges. Mr. Lockridge started talking to me about the Odyssey, and I almost forgot to go forward when it was my turn. At first it was embarrassing. I was probably the only one who thought so, of course, but all the same, my face was very hot, and I’m sure it was red. I wasn’t exactly about to pull out a mirror, obviously.

It was a bit odd, at first. I don’t know why exactly, but it was. First was Fr. Tim, then Fr. Chris, both of whom I knew pretty well, well, well enough, and then it was the day’s altar boys, mostly from my Church School class. Mainly people I was at least acquainted with. That was awkward, especially since they were mostly preteen or early teenaged boys. Those were particularly distant hugs.

But as I went down the line, it got to be much more comfortable, even fun, almost. Then, of course, there were the complete strangers, mainly old men and women, who would give me a giant hug and three kisses on the cheek. I was sort of used to this from older ladies, but from a completely strange man that I’d never seen before…

Anyway, I was about half way around the church when I noticed that some (or all) were rather sweaty. It didn’t really bother me, and I completely forgot about it. I ended up have mini-conversations with people, and after asking forgiveness, they would ask how long we had been there, or what my name was, or if I was the girl with the twin brothers. (Why is everything about Robert and David?).

At last, after going about once and half around the nave (still not sure how they worked that) I had reached the end of the standing-in-one-place line and was now sanding myself, as the still moving line went on, and started to stand still as well, next to be and on again. It was around this time that I noticed my back was starting to hurt a little bit.

This didn’t bother me that much, not really, and I continued on, occasionally chatting with Rebecka, who was standing next to me with her mother.

I was a little surprised when I found myself prostrating in front of Dad. I hadn’t realized that they had gone through. He was holding one of the twins, I think Robert, as he went. Next was Mom and David, and then Nathaniel, who informed me that he wasn’t really doing anything, he was just following Mom and Dad. Before she went on, Mom handed David off to me, letting out a sigh of relief as she did so. I think she was exhausted.

Now that I had the heavy toddler, I stopped making prostrations, and just did bows, or however pronounce them. Where you cross yourself and reach to the ground. Anyway, it wasn’t long before it was over, after that. Matushka Jennifer was the last to pass me, and as she did so she told me I could go sing with the other kids. I didn’t. I’m really bad at singing liturgical music, not to mention that the ‘choir’ was dispersing.

After that I don’t remember much at all. I’m assuming that we all went home instead of staying for a small coffee hour or something, as we had the twins and Nate with us, and that would have been after their bedtime.

I don’t think I could pinpoint an exact time that evening that I realized “Hey, this is right,” but at the end there was a quiet acceptance. This is right. This is the way things are supposed to be.

 

NaNoWriMo

What do you think of when you think “November”?

Image result for november

Do you think brilliantly red and orange leaves blowing in a brisk breeze to cover the browning grass? Spicy apple cider heating on the stove? Pumpkins piled on porches? Thanksgiving dinner?  Or do you think “aaaaaaaahhhh it’s November I have no idea what I’m writing eek!”?

Yeah. I’m the last one. Actually I should probably be focusing on plotting my novel instead of writing a blog post… Procrastination!

For those of you wondering what on earth I’m going on about, I’m speaking of NaNoWriMo. NaNoWriMo stands for National Novel Writers Month, an annual event in which writers around the globe write 50,000 words in the 30 days of November. This involves much caffeine, head banging, and sheer perseverance. A good reward system helps, too. The idea is quantity over quality, and it’s a good way to kill your inner “this has to be absolutely perfect so I’m not going to even write it” person. It also helps you to start a writing habit to carry beyond NaNo into the rest of your year.

Anyway, the whole point of this post, besides letting you know where I’ll be for a month, is to give you a list of things that I’ve learned through the previous NaNos that I have done/won (a grand total of two).

So, without further ado, here’s some things I’ve learned through previous NaNos.

  • DO NOT EDIT. Seriously. I refuse to let myself hit the back button. Every single word counts towards the 50k goal, and you’ll never get anywhere in your story if you’re constantly editing as you go. This is what a rough draft is for. You can go back and fix the fact that the ally offed himself in the 7th chapter later. For now, just magically bring him back to life.
  • Rewards are good. I like to save my stash of Halloween candy (mostly smarties) and reward myself every hundred words on a day of low motivation.
  • Outdoors is nice, too. Get some fresh air and sunshine. Move. You will feel better for it; refreshed and ready to get back at it. Just because it’s getting chillier doesn’t mean it’s always a good idea to curl up in a blanket on your bed. Fall is, in my opinion, the most beautiful season. Enjoy it.
  • Don’t neglect important things. In the line of not holing up in your room, don’t let the important things drop by the wayside. And by important things I mean things other than schoolwork. Last year I had to stop NaNo because it was the most important thing in my life. I dropped everything else for it, including church. I stopped praying. I started yelling at my family if they asked me to do things that I’ve had to do all along. There are things waaaaaay more important in life than reaching 50k.
  • Word Crawls. These are amazing things. Basically, a word craw presents a series of writing-challenges, often in a story format, and they can shoot you miles ahead on your word count goal. Two of my favorites are A Word Crawl for the Motivationally Challenged and the Harry Potter Word Crawl.
  • And finally, it’s okay to “lose”I won my first NaNo. I lost my second one. I beat myself up for months over this, but, really, the point is to write. Even if you only made it to 5k, you still wrote 5k, or 16k, or whatever it was. So don’t feel bad if you didn’t “win”. Abby at A Glimpse of Starlight wrote a really good post on this last year: Why I Wish I was Failing NaNo

So, I shan’t be posting much in November, I shall be writing. Or rather, my posts won’t be very long, more of a weekly update on NaNo with a couple of gifs thrown in for good measure.

If you want to find me on the NaNoWriMo website, I’m Bellethiel Marcaunion.

So how about you? Who else is panicking about doing NaNo?

A New Baby

Don’t you love the feeling when you get a new story idea, and you actually have the freedom to write it? The delight as the characters begin to reveal themselves to you piece by piece, the excitement as you follow the plot line in your head and discover what happens next. The ‘ah-ha’ moment when you find what drives your character? I got to experience all that for the first time this past month and it was amazing.

The first inklings I had were in the early summer. I figured out that if you took a drink of ice-cold smoothie and then breathed on your hand, your breath came out cold. A ready-made sentence popped into my head

“He took a long sip of his smoothie, then leaned forward to whisper in my ear. I shuttered at his cool breath on my neck”

Obviously, I jotted them down. That was that, for a bit, but over the summer it was hovering in the back of my mind. I definitely knew it had something to do with a road trip, and I was going to write this book some day.

Then, the first week of September, I started school again. Now, for my writing program, I use something called the One Year Adventure Novel, OYAN for short. I did it last year, too, but never completed it (not to mention that poor book is so full of plot holes), so I’m doing it again this year. This is my chance to write the Smoothie Story! I thought, as I tried to come up with a novel to do for it.

After that, I lived and breathed the novel. And now I’m going to tell you about it.

This is Nina.

Chressida is introduced in the second book but is impassive to the oncoming storm. In the third book however she realizes how much they'd helped and decides to aid them in their battle against the High Rulers.:

She’s the MC. To me she’s the most real of my characters that I’ve ever created for an original novel. She’s the first one that has lived and breathed for me. Or rather, I should say, she’s the first main character, the first POV characters. My allies and side characters have always seemed more real until now.

She’s an only child who lives with her parents. Her dad’s a lawyer, her mom’s… I haven’t actually figured out what her mom does yet. But these are just the externals. She hates injustice and wants to stand up for those no one’s standing up for, but when it comes to her own life, to her own friends, peer pressure gets to her and she ends up going along with the flow, even if they’re talking about or doing things that she knows are wrong. She doesn’t care what strangers think, but she cares deeply about what those close to her think.

Her story opens with a car crash, a car crash that her dad is in. And he doesn’t make it. Over the course of the next few days Nina realizes that there might be something more to the crash, that it wasn’t just a freak road accident. She is just going to present her findings to someone who can do something about them when her mom disappears. What follows is a mad chase across the country, dragging her older godbrother along as chauffeur, to find and rescue her mother.

That’s as much as I know so far, plot wise. I know the showdown will take place in Kansas City, and I know the smoothie scene will happen. I’m still feeling my way with this, and I took almost a month break from it as other things started pressuring in.  But the characters are wandering through my head, I’m discovering new layers to them every day. *bounces* I can’t wait to write this one.